Atmospheres are both insubstantial and yet very palpable – for example, think about tension that feels so thick you could cut it with a knife. Whether you’re decorating a room or throwing a party, creating the right atmosphere can mean the difference between success and failure. But Dora Zhang argues that no one person is ever in full control of an atmosphere, it’s always something collective, not just a projection of one person’s mood. When it comes to literature, too, atmospheres emerge collectively from the readers, the characters, and the language of the text.
Month: November 2019
Spectacular dance sequences are one of the most recognizable elements of Indian cinema, and female dancers are the biggest stars. Although some critics view dance sequences as just interruptions that don’t push the story forward, Usha Iyer argues that distracting from the story is actually a good thing. Whereas the stories are typically marriage plots in which women give up their independence, focusing on women’s dancing allows us to recognise the power and skill not only of the characters but also of the dancer-actresses who have shaped these films behind the scenes.