Tag: class

In the Bible, the Apocalypse is the end of the world as we know it, but it’s also the beginning of a new one. Jennifer Wilks argues that major catastrophes can be apocalyptic in the same way. A disaster like Hurricane Katrina or the COVID-19 pandemic can shed new light on the world’s social inequalities, which makes it easier to imagine them changing. Jennifer thinks that post-apocalyptic fiction can play a role in this process, by allowing us to think ahead about times of disaster so we can act to make things better when the moment comes.

The classic image of a reader is someone alone with their eyes on a book, ignoring the world around them. But Janice Radway argues that the communities we’re in can shape what we read and how we read. Reading is not something that only takes place in our individual minds, but an activity that influences and is influenced by our social world. From prison reading groups to caregivers who read to get a break from their domestic duties, people read with agendas and desires they share with others in similar situations.

When you picture a cheerleader, you probably imagine a woman. But in the early twentieth century, cheerleading was all done by men. Frank Guridy argues that the association of cheerleading with women is due to the growth of the sports industry, which has drawn ever more diverse people into sports previously dominated by elite white men. But increased diversity in the sports industry has also meant increased exploitation. Nonetheless, while the industry is exploitative, sports themselves don’t have to be: cheerleading is just one example of how sport can be a tool of survival and self-actualization for marginalized people.

Spectacular dance sequences are one of the most recognizable elements of Indian cinema, and female dancers are the biggest stars. Although some critics view dance sequences as just interruptions that don’t push the story forward, Usha Iyer argues that distracting from the story is actually a good thing. Whereas the stories are typically marriage plots in which women give up their independence, focusing on women’s dancing allows us to recognise the power and skill not only of the characters but also of the dancer-actresses who have shaped these films behind the scenes.

What connects Langston Hughes to Hong Kong, Malcolm X to Mecca, and Syrian merchants to the 9/11 memorial? In this episode, English professor Wai Chee Dimock shows us how to read quintessentially American writers from an international perspective. From this angle, major American concerns like race and money start to look a little different.