Spectacular dance sequences are one of the most recognizable elements of Indian cinema, and female dancers are the biggest stars. Although some critics view dance sequences as just interruptions that don’t push the story forward, Usha Iyer argues that distracting from the story is actually a good thing. Whereas the stories are typically marriage plots in which women give up their independence, focusing on women’s dancing allows us to recognise the power and skill not only of the characters but also of the dancer-actresses who have shaped these films behind the scenes.
Tag: cinema
We tend to have a visceral response to someone we think is dirty. But Stephanie Newell argues that judging other people as dirty is more in our minds than it is about medical reality. Through examples ranging from the travel diaries of colonial British traders in West Africa to the surprising ways Nigerian popular culture makes comedy out of disease, Stephanie shows how judging people to be dirty always involves a failure to understand them – but sometimes can also spark empathy.